agnes b 灰白連身裙

agnes b 灰白連身裙

agnes b.把法國藝術家Nathalie Gilles的作品，印在靈感源自1970年代樂與怒的灰白或紅白連身裙上；「b姐」還在Drouot拍賣行投得法國野獸派畫家Raoul Dufy為Bianchini Frier布商設計的圖案，並印在最新春夏系列女裝上。兩款新作，齊齊把法國的藝術氣息發揮得淋漓盡致。
$1990

adidas Gym long-sleeved coat - Yoga series

adidas Gym long-sleeved coat - Yoga series

New 2008 spring & summer active wear(for women), it is the serie that especially for Yoga and Gym, it makes a style of sport look in fastion.

This serie have different designs of vests, basques, jackets, coat and trousers, and they all for Yoga. The active function is this serie's design prototype, so, the materials of the clothes are used ClimaCool and ClimaLite mostly, it is soft and can breathe freely, because of the cuttings, it can help our surface skin cool with air when we are doing exercise.Moreover, This serie use the colour of pink and white mainly.

$290

Burberry Prorsum彩藍色trench coat

Burberry Prorsum彩藍色trench coat

Burberry Prorsum把彩藍融入招牌的trench coat之中

$17,400

Calvin Klein "Gable" Decanter

Calvin Klein "Gable" Decanter

A perfect example of Calvin Klein's take on modern sophistication. The graceful shape of this tall decanter is a striking statement on it's own, or filled with your favorite spirit. The pour spout reduces drips, while the ball stoppper adds a unique contrast.

HYSTERIC MINI-Asakusa ROX

HYSTERIC MINI-Asakusa ROX


淺草ROX彈簧博覽會召開！
2008.02.20
在淺草ROX店自2月23日召開春天博覽會。在23日用15,750日元以上收購dust箱禮物！並且，用6,300日元以上收購原創日曆(7月～12月)附有召開合成照片照片框架攝影會！另外，用6,300日元以上收購淺草ROX限制神經衰弱GAME挑戰！雙戳子等的機會···!?其他以3,150日元以上也禮物!!!門把手陽極(黃色)orMFH標籤的哪個*
各博覽會因為組合自由，可以選喜歡的博覽會。春天的買東西請無論如何去!!
到淺草ROX諮詢 TEL 03-3836-7850(日本)
source:http://www.hysteric-mini.com/news/index.php?nid=10

The Borne Ultimatum - HD DVD

The Borne Ultimatum - HD DVD
- Dan Ramer, DVDFile.com
This film is based on the third and last of Robert Ludlum’s Bourne novels. It brings Bourne and the viewer full circle, revealing his identity and his creation. In the first film, Jason Bourne (Matt Damon) is found near death with no memory of his identity or how he came to be floating in the ocean. He’s instinctively driven to uncover his past. He’s led to a Swiss safe deposit box in which he discovers his photo on a number of passports, each with a different name. He finds an ally in Marie Kreutz, (Franka Potente), a German woman living in Paris. He battles shadowy figures within the CIA who want him eliminated. Ultimately, after eradicating or exposing the unscrupulous within the Agency and gaining the assurance from the people associated with the Treadstone project that he’ll be left alone, he retreats to a remote part of the world with Kreutz, hoping to stay anonymous and unnoticed.
When director Paul Greengrass replaced Doug Liman for The Bourne Supremacy, he ramped up the action and the lethality. The couple’s tranquility is shattered when an assassin catches up to Bourne and Kreutz becomes collateral damage. Bourne assumes that Treadstone has betrayed him and brings the fight to them. His foe within the Agency is Pamela Landy (Joan Allen), who suspects that Bourne was responsible for the deaths of two CIA agents in Berlin. Landy is aided by the former head of Treadstone, Ward Abbott (Brian Cox), who has an agenda of his own. A fledgling agent working for Landy, Nicky Parsons (Julia Stiles), becomes both a threat and a sympathetic ally. The film climaxes with a chase and firefight in Moscow, where Bourne once again defeats overwhelming odds to survive.
The visuals changed in the second film. Hand held and shoulder mounted camera work added a sense of immediacy but also evoke an irritating sense of vertigo. The motion on the big screen simply becomes annoying. Director Paul Greengrass returns for this third film, his jerky and unsettling camera work intact. His intent seems to be to ramp up the action sequences, both dramatically and quantitatively. And that’s where I felt he went too far; my biggest complaint about The Bourne Ultimatum is that it’s so long on action that there’s little time left for deviousness and twisting plotlines.
The film picks up the action ten minutes after the events of The Bourne Supremacy end. Bourne flees from the Russian authorities, eludes them, and escapes Moscow (we don’t know how until it’s revealed in the supplements indirectly). By the way, the unemployed Bourne has been on the run for three years and travels all over the world freely; how does he pay for all that?
The Bourne Ultimatum is essentially a series of action sequences set in various locations - Moscow, Berlin, Madrid, Tangier, Paris, London, New York - with short intervals of exposition in between to move the plot along. Bourne’s greatest nemesis is now CIA Deputy Director Noah Vosen (David Strathairn), who runs the program that Bourne will expose if he’s successful in discovering the truth about his past. Conspiring with Vosen is CIA Director Ezra Kramer (Scott Glenn), vulnerable for his authorizing the program. Skeptical, potentially confused, and with mixed loyalties are Landy and Parsons. Bourne will persist and uncover documents about the program responsible for his situation and the man who made him what he is, Dr. Albert Hirsch (Albert Finney).
By now, if you’re possibly wondering why I’ve consumed so much space discussing events in the first two films and have been so meager with my comments about the third. It’s simply because the intricacies of the third film’s plot consume so little screen time that any more in-depth critique would give away entirely too much. But lest I’ve created the impression that I didn’t enjoy The Bourne Ultimatum, allow me to allay those fears right now.
The Bourne Ultimatum is a terrific action fest, briskly paced, and overflowing with how-did-they-do-that moments. For example, there is a rooftop chase sequence in which Bourne ultimately leaps from a roof through a window one floor below. The camera follows his jump. How did they do that? (All is revealed in the supplements.) If you are immune to the irritatingly jerky camera work, this film delivers almost non- stop action for 116 minutes. One could make the argument that the groundwork was laid in the first two films and now it’s time for balls-to-the-wall action. Taken in the context of the trilogy, this is a suitable climax.

DVD

DVD (also known as "Digital Versatile Disc" or "Digital Video Disc" - see Etymology) is a popular optical disc storage media format. Its main uses are video and data storage. Most DVDs are of the same dimensions as compact discs (CDs) but store more than 6 times as much data.
Variations of the term DVD often describe the way data is stored on the discs: DVD-ROM has data which can only be read and not written, DVD-R and DVD+R can be written once and then functions as a DVD-ROM, and DVD-RAM, DVD-RW, or DVD+RW holds data that can be erased and thus re-written multiple times. The wavelength used by standard DVD lasers is 650 nm.
DVD-Video and DVD-Audio discs respectively refer to properly formatted and structured video and audio content. Other types of DVDs, including those with video content, may be referred to as DVD-Data discs. The term "DVD" is commonly misused to refer to high definition optical disc formats in general, such as Blu-ray and HD DVD (though the latter is now outdated). As a result, the original DVD is sometimes called SD DVD (for standard definition).